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History of C/S/K and Choydesign, as it appeared
in the January/February 2000 issue of Multihulls Magazine
By BARRY CHOY
In 1970 the MacMillan Company published "Catamarans Offshore,"
a watershed book written by Rudy Choy in an
attempt to set forth the legacy of his famed partnership C/S/K and
to tell the story of how he and his partners, Warren
Seaman, Alfred Kumalae and Vince
Bartolone, evolved their ideas and principles of successful
catamaran design. From the earliest beginnings, specifically the
late 1950s, they understood what even some of the most skeptical
and hardened yachting traditionalists have only recently come to
accept: that multihulls are not only superior to conventional yachts
in many respects, but more importantly, are the wave of the future.
From the very beginning Rudy, Warren, Alfred and Vince's fundamental
design standards were creativity, simplicity and evaluation by careful
empirical observation, notions that today stand anyone desirous
of building anything operating according to the laws of physics,
in good stead. The acid-test of success for each of their creations
was conducted, not by using a slide rule, or with the boat tied
to some dock as a showpiece, but in the open ocean.
Following the publication of Catamarans Offshore, less than two
years later, C/S/K was, at least outwardly, disbanded, and Rudy
launched an ocean recreation company in Hawaii that would carry
millions of joyful sun and star-seeking tourists on pleasure trips
during its 24-year reign. This venture, which sprang from the very
humblest of beginnings, was named in honor of Rudy's very first
contemporary catamaran design: Aikane, the Hawai'ian word for "Friend."
During the Aikane years up to the present, Rudy never gave up on
his first love - designing and sailing oceangoing catamarans: a
part-time project started in 1983 literally in the back yard of
the Topanga Canyon home of partner and lifelong friend Warren Seaman,
and assisted by Vince Bartolone and many others, was to enable Rudy
to fulfill his life's dream: to own the transpacific elapsed-time
record (see Multihulls A/S '89 pg 50 by John Conser). When, in 1989,
the 62' Aikane X5 sailed across the finish line at Diamond Head
6d 22h after leaving Los Angeles, she was the sixth catamaran to
bear that name. She was also the last collaborative design effort
of C/S/K. The years leading up to her record were punctuated by
some unforgettable creative opportunities and, perhaps, some of
our best work. We were also blessed by the friendship, creativity
and steadfast support of many people, friends both old and new.
It is not without irony that a project that sparked a re-vamping
of all our hull designs was traceable, in lineage, to Ancient Polynesia
of over 1,500 years ago. In 1974 Rudy met with artist Herb Kane,
University of Hawai'i Professor Ben Finney, and well-known Hawai'i
waterman Tommy Holmes. Together, they sought to prove that, contrary
to the theory expounded by Thor Heyerdahl, the Polynesians were
capable of sailing, and had indeed, sailed North and East from the
ancestral lands in Tahiti to what is today known as Hawai'i, without
the use of conventional navigation. They envisioned a modern replica
of an ancient Polynesian Double-Canoe, but had little idea of how
to design and build one. Rudy created the lines and Warren began
the construction of the 60' long Hokule'a, which not only succeeded
in sailing to Tahiti and back without the use of modern navigation
or instruments, but would transit all of Polynesia three times,
covering tens of thousands of miles at sea, and is at this moment
re-turning from a historic voyage to Rapa Nui (Easter Island).
One of our most rewarding projects (and enduring successes) was
the creation of the first luxury commercial passenger cat for developer
Chris Hemmeters' famed Hyatt Regency Maui at Ka'anapali in 1979.
Chris' only instruction with regard to her design was that she was
to match, in every respect, the elegance and uniqueness of the resort.
Except for this dictum, the design and construction details were
left entirely to Rudy, Warren, Vince and Master Boat Builder Gilbert
Iwamoto. Today, some 20 years after she sailed up to the anchorage
fronting the Hyatt Regency, Kiele V, named in Hawai'ian for Hemmeters'
daughter, Kelly, remains a perennial favorite of hotel guests and
is sold out days in advance, year-round.
We were again fortunate to work with Chris in 1990, who bought
into the idea of an ultimate-thrills racing
catamaran for his $350 million Kaua'i Lagoons Resort on the Island
of Kaua'i. She was to be capable of providing the thrills of a 60'
racer, but with a load of paying passengers while still meeting
burdensome U.S. Coast Guard regulations. To add to the challenge,
the boat would be operating in steady trade winds in excess of 25
knots for much of the year. At an overall length of 44', Kiele VI
had a beam of 28' - only three feet narrower than Aikane X5, a 60-footer.
Despite the harrowing conditions at Nawiliwili, from where she operated,
Kiele VI was granted a 25- mile license - at the time the longest
route for a boat of her size, and a testament to her seaworthiness.
With her Randy Smyth-designed wing mast and sail plan and extra
wide beam, even in 25-knot winds she was exceptionally stiff and
could be steered with one finger. Sadly, in 1992, after only two
years of operation, Kiele VI was totally destroyed in Hurricane
Iniki.
Meanwhile, over two decades, from 1970 to 1990, Aikane Corporation
was highly profitable, carrying over 250,000 passengers annually
with revenues of over $4 million. Our dinner cruise operation was
the "mistress" that prevented our involvement in design
projects and for much of the time we considered only our own vessels,
the last of which were each over 95' in length; planned future vessels
were over 120' in length. But the beginning of the Gulf War launched
the State of Hawai'i, almost solely de-pendent upon tourism, into
a recession that still lingers. The recession forced the closure
of Aikane and closed that chapter of our lives, at least for a time.
In 1995, while in the midst of again engaging in a new entrepreneurial
effort involving fast catamarans and the lucrative Hawai'i ocean
activity market, Rudy suffered a stroke that robbed him of one of
his best-known talents: his speech. With this totally unforeseen
setback against the backdrop of the worst recession in the history
of the Islands, we had to discontinue our new charter business.
Though he retired following his stroke, Rudy regained his strength
and is in excellent health, his speech notwithstanding. This July,
he will celebrate his 77th birthday: not bad for a former beachboy
who flew over Europe during some of the heaviest fighting of World
War II in B-24s, an aircraft often referred to as "The Flying
Coffin."
I was lucky to have been part of a lifelong apprenticeship in C/S/K.
I am now carrying on the legacy of my father and his former partners.
While they taught me everything I know, they couldn't possibly teach
me everything they know, and when I am around them I'm amazed at
the depth and breadth of their experiences and insights. In addition
to being present at the birth of virtually every C/S/K boat built,
I spent most of my life working in every phase of Aikane Corporation
- our Dinner Cruise Company. The experience introduced me to the
commercial/charter genre at its very inception. I was fortunate
to be Project Manager for Aikane X5 through four major modifications
and co-designer of Kiele VI (and several designs that didn't leave
the concept stage) and am on the verge of re-entering the market
after a brief hiatus. Fortunately for me, I have an irreplaceable
source of advice and creative input, albeit somewhat less verbose
than in years past, my Dad, Rudy Choy.
Parting shots
The international multihull revolution of today is perhaps the greatest
vindication of what Rudy, Warren, Alfred and Vince believed over
fifty years ago. However, unlike many of the greatest areas of achievement
in the world in sports, technology and discovery, it is not dominated
- nor really even challenged - by Americans. In 1995, I sat at the
lookout near the famed Diamond Head Light, hours before sunrise,
and watched with melancholy fascination as Steve Fossett broke our
TransPacific record in his French trimaran Lakota. While we applauded
this accomplishment, and the many that have followed, both in the
air and on the ocean, we wondered why more of our countrymen were
not on the playing field. The establishment of a new TransPacific
record by Bruno Peyron in 1999 aboard the 80' Explorer (formerly
Jet Services), only added to our puzzlement and dismay: now, both
of the last two Trans-Pacific records have been held by non-U.S.
boats.
At a gathering that followed Bruno's triumph, my father and I visited
with the throng at the Hawaii Yacht Club when someone posed a question
to me: "Have you (I took him to mean Rudy Choy/C/S/K) ever
considered a big cat?" With a reserved smile I answered, "Yes,
we have... in 1972." My point, of course, is that American
designers as a whole, in my view, give up nothing in the way of
ingenuity, creativity or skill to our cousins across the Atlantic.
What we have lacked from the beginning, with notable exceptions,
is sportsmen/partners like Steve Fossett. We applaud his latest
effort PlayStation, by Gino Morrelli and Pete Melvin.
With all of the astonishing wealth created by the high tech industry
in the last decade, why aren't there more "Steve Fossetts?"
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